Will there be a backlash against technology? A resistance toward all things electronic and robotic? Will people again write letters, hold a book, pick up the phone, meet a person in a coffee shop rather than an online chat-room, put on a record? There is no doubt that technology has been and will be influential and beneficial but I think these tangible human activities will become romantic again. I think they'll make a come-back! Although the community who already does cherish these old-fashioned non-technological amenities is small, it is supportive. Maybe I am just being hopeful because I want to sell books but also make a living...but I don't think that humans will ever truly lose the desire to hold an actual book, flip through the pages, walk through a library. I think these things will never die because they connect us with generations before us and remind us what it is to be human. I love the things technology provide; I can't live without my iphone, email, ipod, I mean I am writing this in a blog... But people will always need to tell stories and these stories will need a place more romantic than the shelf of a Kindle.
Here is a poem by Lawrence Ferlinghetti, the co-founder of City Lights Booksellers and Publishers and wonderful artist, which perfectly encapsulates the romantic old-fashioned "fireflies" of humanity.
"Are There Not Still Fireflies"
Are there not still fireflies
Are there not still four-leaf clovers
Is not our land still beautiful
Our fields not full of armed enemies
Our cities never bombed to oblivion
Never occupied by iron armies
speaking iron tongues
Are not our warriors still valiant
ready to defend us
Are not our senators still wearing fine togas
Are we not still a great people
Is this not still a free country
Are not our fields still ours
our gardens still full of flowers
our ships with full cargoes
Why then do some still fear
the barbarians are coming
coming coming
in their huddled masses
(What is that sound that fills the ear
drumming drumming?)
Is not Rome still Rome
Is not Los Angeles still Los Angeles
Are these really the last days of the Roman Empire
Is not beauty still beauty
And truth still truth
Are there not still poets
Are there not still lovers
Are there not still mothers
sisters and brothers
Is there not still a full moon
once a month
Are there not still fireflies
Are there not still stars at night
Can we not still see them
in bowl of night
signalling to us
our so-called manifest destinies?
Thursday, April 21, 2011
Sunday, April 17, 2011
angelheaded hipsters
Last night I went to a poetry reading, the Bang Out series, in the Mission district of San Francisco. The theme of the reading was social media disasters. The topic had such potential to be quite rich but I was a bit disappointed. There were a few very talented poets, one in particular who had been pals with Allen Ginsberg.
Awesome.
As I tried to explain to a friend the complicated and wild adventures of the Beat generation, I realized how much I revere that group of artists. So, I naturally went home to read some Kerouac and sent my friend a barrage of Ginsberg poems with my own literary criticism, marking brilliant passages. I then turned to Rob Epstein's movie "Howl" with James Franco and again fell in love with the newness and originality of this period of poetry. (Not to mention James Franco..mmm)
What will be the next poetic revolution?
How can we, as artists, "make it new"? (As Ezra Pound would stress as imperative)
These are questions that I ask myself when I am writing my own poetry and hope to answer or see the answer in my lifetime!
The poem "Howl" is very long but this is my favorite excerpt, incidentally it is how the poem begins:
Howl
by Allen Ginsberg
Awesome.
As I tried to explain to a friend the complicated and wild adventures of the Beat generation, I realized how much I revere that group of artists. So, I naturally went home to read some Kerouac and sent my friend a barrage of Ginsberg poems with my own literary criticism, marking brilliant passages. I then turned to Rob Epstein's movie "Howl" with James Franco and again fell in love with the newness and originality of this period of poetry. (Not to mention James Franco..mmm)
What will be the next poetic revolution?
How can we, as artists, "make it new"? (As Ezra Pound would stress as imperative)
These are questions that I ask myself when I am writing my own poetry and hope to answer or see the answer in my lifetime!
The poem "Howl" is very long but this is my favorite excerpt, incidentally it is how the poem begins:
Howl
by Allen Ginsberg
I saw the best minds of my generation destroyed by madness, starving hysterical naked,
dragging themselves through the negro streets at dawn looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz,
who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated
-taken from the poetry foundation
And I am now signed up for a Gender and Modernism class in the Fall!
And am applying for a job at City Lights Bookstore...how romantic...
Monday, April 11, 2011
poem a day keeps the blues away
I believe in the power of literature. I guess that goes without saying...I am investing heavily in my literary education. As a being on this planet, I believe that to share stories is necessary to our emotional growth and balance. Writing is a very powerful form of expression, especially poetry.
From this blog on, I will include a poem in each post. The poem hopefully will coincide with the topic of the blog-post but can be arbitrary.
Today I have been thinking of a poem I fell in love with as I was graduating college. I think it spoke to a time in my life where everything was alternating drastically but one thing was unchanging: my passion for knowledge. I think it is beautiful and I hope you enjoy it.
From this blog on, I will include a poem in each post. The poem hopefully will coincide with the topic of the blog-post but can be arbitrary.
Today I have been thinking of a poem I fell in love with as I was graduating college. I think it spoke to a time in my life where everything was alternating drastically but one thing was unchanging: my passion for knowledge. I think it is beautiful and I hope you enjoy it.
KNOWLEDGE: by Louise Bogan
Now that I know
How passion warms little
Of flesh in the mould,
And treasure is brittle,--
I’ll lie here and learn
How, over their ground,
Trees make a long shadow
And a light sound
Monday, April 4, 2011
the graduate
Words I have learned as a graduate student. These words are now common in my everyday speech. Do not be alarmed, they are simply used to artificially embellish...
-dichotomy
-panoply
-intrinsic
-millieu
-monolithic
-dialectic
-manifest
-dualistic
-anxiety
picture from NatalieDee
-dichotomy
-panoply
-intrinsic
-millieu
-monolithic
-dialectic
-manifest
-dualistic
-anxiety
picture from NatalieDee
Friday, April 1, 2011
sunshine
Pretty incredible that I have gone from the most snow I have ever seen to skipping around in shorts.
I have to say that the environment here in Berkeley has changed drastically from the past couple weeks. People are reveling in the sunlight; whistling, catching themselves grinning, sending salutations stranger's ways. I find myself with a spring in my step, bouncing off the balls of my feet...
It got me thinking of people who don't see the sun for months and months; the winter often lasting well into April. Where do they get their vitamin D from? It's not that I don't like the cold, I love the snow, but I also love sunshine.
So my wandering mind brought me to the fact that I love California. I can have both the best snow in the world and sunshine...at the same time.
I have to say that the environment here in Berkeley has changed drastically from the past couple weeks. People are reveling in the sunlight; whistling, catching themselves grinning, sending salutations stranger's ways. I find myself with a spring in my step, bouncing off the balls of my feet...
It got me thinking of people who don't see the sun for months and months; the winter often lasting well into April. Where do they get their vitamin D from? It's not that I don't like the cold, I love the snow, but I also love sunshine.
So my wandering mind brought me to the fact that I love California. I can have both the best snow in the world and sunshine...at the same time.
Thursday, March 24, 2011
snow!
I have had the most amazing days here in Tahoe...the snow has been quite epic. The storm total has equaled 110" on the top of Squaw Valley USA and man am I one happy little skier. I went out on Tuesday with some of the best skiers I know, had the best run of my life. Reverse Traverse opened and we were among the first couple groups to hike it. We came up over the slot and around to the first cliff band before Classic Chute. The snow was past my bellybutton...I felt like I was flying. We lapped the traverse 5 times before coming around Adrenaline side from KT. That night was the last night-skiing of the season so we stayed skiing until 7 PM and ended with a party at CBC.
BEST SPRING BREAK EVER....
and I am off for another day, the snow keeps on comin!
Thanks Jordan Basile, Kaya Lampe, Travis Ganong, Maggie Nichols and Ehrin Davis for literally the best (and longest) ski day of my life....<3
http://www.facebook.com/photo.php?fbid=842731382455&set=a.806625888155.2432413.6421553&theater
BEST SPRING BREAK EVER....
and I am off for another day, the snow keeps on comin!
Thanks Jordan Basile, Kaya Lampe, Travis Ganong, Maggie Nichols and Ehrin Davis for literally the best (and longest) ski day of my life....<3
http://www.facebook.com/photo.php?fbid=842731382455&set=a.806625888155.2432413.6421553&theater
Tuesday, March 15, 2011
performance
I am currently toying with some ideas for a project in my Russian Realism class.
Count Leo Tolstoy was very interested in the way we fit into social roles and what happens when we attempt to transcend our given roles, or perform in a role that isn't ours.
I think that this is question of how to be genuine is relevant; that it doesn't belong only in a 20th century realist setting.
In War and Peace, there is a famous critique of the theater through the eyes of his character Natasha. She seems to be the most candid of characters; always instinctual and unassuming. She doesn't shy away from her Russian countryside background as shown in the scene where she is dancing an old peasant dance barefoot with her rugged uncle. She seems to be the most "real."
In this scene at the theater in the city she is dressed to the nines, complete with a heavy silk gown. But Natasha, "[a]fter the country...found all this [performance] wild and astonishing" (561). Natasha is sitting with the best of society up in the balcony, being shown off to all prospective suitors, and is not quite understanding the play. She sees through the falseness of theater, noticing the "painted cardboard," and the "man with tight silk breeches on his fat legs" (560-1). Natasha recognizes the falsity of this representation on the stage of "real" life even feeling "embarrassed for the performers" (561). As she watches, though, she suddenly becomes enamored and imagines herself up on stage...changing her view of theater and ultimately changing herself.
If you pan away from this immediate scene, Natasha herself is acting in a role that is not hers. She has been falsely dolled-up in order to fit in with the other women of society. It is only here in Moscow, at the theater where Natasha is attempting to perform in a role expected of her by society, where she becomes apocryphal, false. Not to mention that the next scenes involving the foppish Anatole is the start of her demise within contemporary Russian society.This scene could represent a warning against performing or faking a self by showing an unblemished character becoming tainted because of her attempt to be something she is not.
This idea of performance reminds me of Judith Butler's discussion of gender and sexuality being a performance (if you haven't read her work, do so. "Imitation and Gender Insubordination"). I wonder if I can somehow tie Tolstoy's critique of false representation in literature to Butler's modern ideas of gender and sexuality.
I also think about this in everything I do (and there's no wonder Tolstoy was a neurotic wreck at times); if its real, if I am only "performing, " if I am being genuine.
Anywhy (made that up, but I think its better than 'anywho, ' who came up with that?), since this has become my digital diary, which the world can see, those are my Tuesday rain thoughts.
'til next time,
tejtej
Count Leo Tolstoy was very interested in the way we fit into social roles and what happens when we attempt to transcend our given roles, or perform in a role that isn't ours.
I think that this is question of how to be genuine is relevant; that it doesn't belong only in a 20th century realist setting.
In War and Peace, there is a famous critique of the theater through the eyes of his character Natasha. She seems to be the most candid of characters; always instinctual and unassuming. She doesn't shy away from her Russian countryside background as shown in the scene where she is dancing an old peasant dance barefoot with her rugged uncle. She seems to be the most "real."
In this scene at the theater in the city she is dressed to the nines, complete with a heavy silk gown. But Natasha, "[a]fter the country...found all this [performance] wild and astonishing" (561). Natasha is sitting with the best of society up in the balcony, being shown off to all prospective suitors, and is not quite understanding the play. She sees through the falseness of theater, noticing the "painted cardboard," and the "man with tight silk breeches on his fat legs" (560-1). Natasha recognizes the falsity of this representation on the stage of "real" life even feeling "embarrassed for the performers" (561). As she watches, though, she suddenly becomes enamored and imagines herself up on stage...changing her view of theater and ultimately changing herself.
If you pan away from this immediate scene, Natasha herself is acting in a role that is not hers. She has been falsely dolled-up in order to fit in with the other women of society. It is only here in Moscow, at the theater where Natasha is attempting to perform in a role expected of her by society, where she becomes apocryphal, false. Not to mention that the next scenes involving the foppish Anatole is the start of her demise within contemporary Russian society.This scene could represent a warning against performing or faking a self by showing an unblemished character becoming tainted because of her attempt to be something she is not.
This idea of performance reminds me of Judith Butler's discussion of gender and sexuality being a performance (if you haven't read her work, do so. "Imitation and Gender Insubordination"). I wonder if I can somehow tie Tolstoy's critique of false representation in literature to Butler's modern ideas of gender and sexuality.
I also think about this in everything I do (and there's no wonder Tolstoy was a neurotic wreck at times); if its real, if I am only "performing, " if I am being genuine.
Anywhy (made that up, but I think its better than 'anywho, ' who came up with that?), since this has become my digital diary, which the world can see, those are my Tuesday rain thoughts.
'til next time,
tejtej
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